Billy Jones was born and raised in rural Steuben County in upstate New York. He began his dance training as a student at the State University of New York at Binghamton where, as a theater major
on an athletic scholarship, he enrolled in dance classes with Percival Borde.
Jones, a tall, powerful dancer, was an outstanding soloist who often mixed video, text, and autobiographical material with his choreography, as he did in "Blauvelt Mountain" (1980) and "Valley Cottage" (1981), part of the trilogy that began with "Monkey Run Road" (1979). Jones and Zane gained recognition as "new wave" or "post modern" choreographers whose large-scale, abstract collaborations, such as "Secret Pastures, Freedom of Information," and "Social Intercourse," were visually and spatially altered by contemporary sets, costumes, and body paintings. They danced in costumes by clothing designer Willi Smith and had sets created by pop artist Keith Haring. These collaborative works were performed in prestigious venues such as the Brooklyn Academy of Music and New York's City Center theater.
In 1983, Jones was commissioned to create the fast-paced, all-male "Fever Swamp" for the Alvin Ailey American Dance Theater, followed by "How to Walk an Elephant," in 1985. After Zane's death in 1988 from AIDS, Jones continued to choreograph and perform. His works expanded to the field of opera and musical theater. He choreographed British composer Sir Michael Tippett's "New Year" (1990), choreographed and directed Leroy Jenkins' "Mother of Three Sons" (1991) at the New York City Opera, and directed Kurt Weill's "Lost in the Stars" in 1992. Jones' work has been commissioned by companies throughout the U.S. and Europe. In 1986 Jones and Zane received a Bessie Award, and in 1991 Jones was recognized as an "innovative master" with the Dorothy B. Chandler Performing Arts Award. In June of 1994, Jones was awarded a MacArthur fellowship.
Creating more than 100 works for his own company, Jones has also choreographed for Alvin Ailey American Dance Theater, AXIS Dance Company, Boston Ballet, Lyon Opera Ballet, Berlin Opera Ballet and Diversions Dance Company, among others. In 1995, Jones directed and performed in a collaborative work with Toni Morrison and Max Roach, Degga, at Alice Tully Hall, commissioned by Lincoln Center’s "Serious Fun" Festival. His collaboration with Jessye Norman, How! Do! We! Do!, premiered at New York’s City Center in 1999.
Jones also collaborated with artist Keith Haring in 1982 to create a series of both performance and visual arts together.
Television credits include PBS’s "Great Performances" Series (Fever Swamp and Last Supper at Uncle Tom’s Cabin/The Promised Land) and "Alive from Off Center" (Untitled). Still/Here was co-directed for television by Bill T. Jones and Gretchen Bender. A PBS documentary on the making of Still/Here, by Bill Moyers and David Grubin, "Bill T. Jones: Still/Here with Bill Moyers", premiered in 1997. The 1999 Blackside documentary I’ll Make Me a World: A Century of African-American Arts, profiled Jones’ work. D-Man in the Waters is included in "Free to Dance", a 2001 Emmy winning documentary that chronicles modern dance’s African-American roots. Narrated by Jones himself, the BBC/VIEW also produced a documentary film, entitled Bill T. Jones: Dancing to the Promised Land, that documents the creation of Jones’s Last Supper at Uncle Tom’s Cabin/The Promised Land and guides us through the life, work, and creative process of Jones and the Bill T. Jones / Arnie Zane Dance Company.
In 2007, he won the Tony award for Best Choreography for Spring Awakening.
Jones is the co-creator, director and choreographer of the musical Fela!, which ran Off-Broadway in 2008 and opened on Broadway in previews in October 2009. Jones won the Lucille Lortel Award as Outstanding Choreographer for his work as well as the Tony Award for Best Choreography.
Billy T. Jones
Born: February 15, 1952
Dancer, Choreographer
Dancer, Choreographer
